The Curmudgeon’s Chronicle

Faith, Facts, and a Few Grumbles

Unmasking Jack the Ripper: A Fresh Investigation into the Whitechapel Murders, Part 5

Posted on 06/09/2025 at The Curmudgeon’s Chronicle

A picture of a crowded street lit wih gas lamps in 1888

The Final Murder – Mary Jane Kelly and Narrowing the Field

After the double event on September 30, 1888, Whitechapel was a cauldron of fear. The murders of Elizabeth Stride and Catherine Eddowes in a single night had shocked London, and the Ripper’s audacity – leaving a bloodied apron and cryptic graffito in Goulston Street – only deepened the terror. Police patrols intensified, vigilante groups roamed the streets, and the East End’s residents lived in dread, wondering when the killer would strike again. For six weeks, an eerie silence held – until November 9, 1888, when the Ripper returned with a vengeance, claiming his final canonical victim in a murder so savage it would haunt history: Mary Jane Kelly.

In this fifth part of our investigation, we’ll step into the grim confines of 13 Miller’s Court, Dorset Street, to examine Kelly’s murder – the most brutal of the series. Using only 1888 evidence – police reports, inquest testimony, and contemporary accounts – I’ll evaluate our four suspects: Charles Cross, Joseph Barnett, Aaron Kosminski, and David Cohen. Cross and Kosminski have been neck-and-neck, but Kelly’s murder brings Barnett into sharp focus, given his personal connection to her. I’ll assign likelihoods for this murder and adjust their overall probabilities for the series, narrowing the field as we approach my final reveal in the next part. Let’s enter the heart of Whitechapel and face the Ripper’s most horrific act.

The Murder of Mary Jane Kelly

Mary Jane Kelly, at 25, was the youngest of the canonical victims – a lively Irishwoman known for her beauty, with long blonde hair and a fair complexion. Unlike the others, Kelly had a semi-permanent home: a single room at 13 Miller’s Court, a cramped alley off Dorset Street, rented for 4s 6d a week. She shared this space with Joseph Barnett, a fish porter, until their split on October 30, 1888, over her prostitution and his frustration at her taking in other women (inquest, November 12, 1888). Kelly was in rent arrears, and on the night of November 8, she was seen soliciting clients to make ends meet.

Witness accounts paint a fragmented picture of her final hours. At 11:45 p.m. on November 8, Mary Ann Cox, a neighbor, saw Kelly walking into Miller’s Court with a “blotchy-faced” man, stout, about 36 years old, wearing a billycock hat and carrying a pot of ale – she appeared drunk (inquest). At 2:00 a.m. on November 9, George Hutchinson, an acquaintance, saw Kelly outside her room with a well-dressed man – 30-ish, 5’6”, pale, with a dark mustache, wearing an astrakhan coat and a horseshoe tie pin (police statement, November 12, 1888). Hutchinson watched them enter her room, hearing Kelly say, “Alright, my dear, come along, you’ll be comfortable.” At 3:00 a.m., Cox heard a woman’s voice – possibly Kelly’s – cry “Oh, murder!” from the court, though such cries were common in Whitechapel (inquest). Elizabeth Prater, another neighbor, heard a faint cry of “Oh, murder!” between 3:30 and 4:00 a.m. but dismissed it (inquest).

An artist's rendering of Mary Jane Kelly

Artist's Rendering of Mary Jane Kelly

At 10:45 a.m., Thomas Bowyer, sent by landlord John McCarthy to collect rent, knocked on Kelly’s door. Getting no answer, he peered through a broken window and saw a scene of horror: Kelly’s body on the bed, her throat slashed to the spine, her face “hacked beyond recognition,” her abdomen emptied, and her heart missing (inquest). Dr. George Bagster Phillips, who arrived at 11:15 a.m., called it “savage… overkill,” estimating death between 2:00 and 8:00 a.m., likely closer to 3:00 a.m. based on rigor and body warmth (inquest). Her legs were spread, her body disemboweled, and organs were placed around the room – on the bed, the table, even under her head. The mutilation took time, possibly hours, in the privacy of her room, a stark contrast to the hurried street killings. Inspector Walter Beck and Superintendent Thomas Arnold led the investigation, but no weapon was found, and the killer had vanished (MEPO 3/140).

Kelly’s murder marked the end of the canonical five – a crescendo of violence that left Whitechapel reeling. But who could have committed such an act in the intimacy of her own room?

A picture of the outside room window at 13 Miller's Court

Mary Jane Kelly’s room at 13 Miller’s Court, Whitechapel.

The Suspect Field: A Killer in Her Room

Kelly’s murder, with its unparalleled savagery and the privacy of an indoor setting, shifts our focus. Barnett, her former lover, takes center stage, but Cross and Kosminski remain in the hunt. Let’s evaluate each suspect’s fit for this crime, narrowing the field as we approach our conclusion.

An annotated map of Whitechapel, London

Whitechapel Map: Highlights Dorset Street and Miller’s Court, marking the spot of Mary Jane Kelly’s body in 13 Miller’s Court, among other sites.

The Field Narrows

Kelly’s murder was the Ripper’s final canonical act – a brutal crescendo that marked the end of his spree. Barnett surges ahead for this killing, his motive and access to Kelly making him a compelling suspect, but his lack of connection to the other victims limits his overall case. Cross holds steady, his consistent proximity and presence at Nichols’ scene keeping him in the lead for the series, though this indoor murder tests his fit. Kosminski and Cohen lag – proximity and madness keep them in play, but the personal nature of Kelly’s killing favors Barnett and challenges their profiles.

The stage is set for our conclusion. In the next part, I’ll reveal my top suspect, presenting the case for Jack the Ripper – and the defense will have their say.

Does Barnett’s connection to Kelly make him the Ripper, or does Cross’s consistency hold the truth? Share your thoughts in the comments below, and join me next time as I reveal my top suspect – and put them on trial.

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